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Posthuman Imagination in the Later Poems of Walt Whitman
https://doi.org/10.69200/0002002845
https://doi.org/10.69200/000200284527679bf5-80ce-4588-9ee1-e7c89984d879
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jbg079-02-kawasaki.pdf (204.5 KB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2022-03-31 | |||||||||
| タイトル | ||||||||||
| タイトル | Posthuman Imagination in the Later Poems of Walt Whitman | |||||||||
| 言語 | en | |||||||||
| 著者 |
カワサキ, コウタロウ
× カワサキ, コウタロウ
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| 言語 | ||||||||||
| 言語 | eng | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Walt Whitman | |||||||||
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| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Leaves of Grass | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | To a Locomotive in Winter | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Passage to India | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Posthumanism | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.69200/0002002845 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | D.H. Lawrence once referred to Walt Whitman as “mechanical” and “superhuman,” comparing him to a steam locomotive. He also states that matter, machines, and animals are fundamentally different from human beings. However, in the current era, when traditional binaries such as human/nature, human/animal, creature/machine, and man/woman are becoming extremely unstable, Lawrence’s insinuation, which is based on traditional humanism, no longer functions as irony. With the rapid twenty-first-century advances in artificial intelligence, robotics, and information technology, it is theoretically possible for humans to merge with machines and become superhumans. In this sense, Whitman―not Lawrence―accurately predicted the social changes taking place in the present. In this essay, I discuss Whitman’s “To a Locomotive in Winter” (1876) to demonstrate how Whitman, sometimes while employing a queer gaze, adopted the steam locomotive as a tool to augment his body in his later years. This essay examines how Whitman’s experiences in the Civil War and his subsequent experiences of stroke, paralysis, and being cared for affected his queer, posthuman imagination, which extended his physical functions through the locomotive, a form of transportation technology. | |||||||||
| 言語 | en | |||||||||
| 書誌情報 |
ja : 駒澤大學文學部研究紀要 ja-Kana : コマザワ ダイガク ブンガクブ ケンキュウ キヨウ 巻 79, p. 53-64, 発行日 2022-03 |
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| 出版者 | ||||||||||
| 出版者 | 駒澤大学 | |||||||||
| 言語 | ja | |||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 0452-3636 | |||||||||
| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN00093767 | |||||||||
| レコードID | ||||||||||
| 値 | XC02110023 | |||||||||
| 掲載誌情報 | ||||||||||
| 値 | 駒澤大学文学部研究紀要79 | |||||||||
