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Consideration of the Aorist form as an Aspectual Function: Pūrvayogaparivarta (Chapter 7) of the Saddharmapuṇḍarīkasūtra
https://doi.org/10.69200/0002033918
https://doi.org/10.69200/0002033918028b9cfd-c76f-485a-ad6d-da7688788e11
| 名前 / ファイル | ライセンス | アクション |
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jbk083-07-lee.pdf (338.0 KB)
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2025-05-13 | |||||||||
| タイトル | ||||||||||
| タイトル | Consideration of the Aorist form as an Aspectual Function: Pūrvayogaparivarta (Chapter 7) of the Saddharmapuṇḍarīkasūtra | |||||||||
| 言語 | en | |||||||||
| その他（別言語等）のタイトル | ||||||||||
| その他のタイトル | 相機能としてのアオリスト形の考察 : 『法華経』「化城喩品」を中心として | |||||||||
| 言語 | ja | |||||||||
| 著者 |
李, 暎実
× 李, 暎実
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| 言語 | eng | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Jan Gonda | |||||||||
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| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | aorist | |||||||||
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| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | aspect | |||||||||
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| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Saddharmapuṇḍarīka | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Pūrvayogaparivarta | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.69200/0002033918 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Chapter 7 of Saddharmapuṇḍarīkasūtram (SP), Pūrvayogaparivarta, contains several stories, the first of which is about a Tathāgata—one worthy of reverence, a fully enlightened one—whose name is mahābhijñājñānāvibhū [MTH]. The chapter begins as a recollection by the Buddha Śākyamuni, and the characters in the story are MTH and sixteen śrāmaṇeras who begged him to roll a wheel of the Dharma. The main storyline is that these śrāmaṇeras became buddhas, and one of them was, in fact, Śākyamuni Buddha. If this story is considered as a single event, the Instructive part of the story begins in the future—after Śākyamuni Buddha’s parinirvāṇa—as a teaching to śrāvakas who have desired to ask him for Bodhi (i.e. Buddha-Knowledge).1 The chapter ends with the famous metaphor (Vehicle: 能喩) of the Apparitional City being used to convey the teaching (Tenor: 所喩)2 that “the ‘parinirvāṇa of Tathagatas’ is only one. There is no other ‘second nirvāṇa’ for Tathāgatas” (ekam eva tathāgatānāṃ parinirvāṇam nāsty anyadvitīyaṃ ito bahir nirvāṇaṃ tathāgatānām). Thus, Śākyamuni’s recollection of MTH’s methods (yoga3) in times in the long ago past (pūrva) is occurring in the ‘present time’ in which Śākyamuni and the śrāvakas are the central figures. The ‘time’ layered from the ‘past’ to the ‘present’ is expressed as one of Śākyamuni’s methods. This paper examines: 1) the viewpoint of the Dutch Indologist Jan Gonda4 with regard to the aorist form, 2) the aorist form used in the main events of the first story through its aspectual function, and 3) additional use of the aorist in Chapter 7. | |||||||||
| 言語 | en | |||||||||
| 書誌情報 |
ja : 駒澤大學佛教學部研究紀要 ja-Kana : コマザワ ダイガク ブッキョウ ガクブ ケンキュウ キヨウ 巻 83, p. 134[83]-118[99], 発行日 2025-03 |
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| 出版者 | ||||||||||
| 出版者 | 駒澤大学 | |||||||||
| 言語 | ja | |||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 0452-3628 | |||||||||
| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN00093701 | |||||||||
| レコードID | ||||||||||
| 値 | XC02510019 | |||||||||
| 掲載誌情報 | ||||||||||
| 値 | 駒澤大学仏教学部研究紀要83 | |||||||||
